Feb 252012
 

Hot Snow early scene
Горячий снег (Hot Snow) got off to a promising start.

Hot slow snow

Until recently I had put off watching it all the way, through, and now wish I hadn’t bothered.    It turns out that a better title would have been “Sleepingwalking through Stalingrad.”   The actors went through the motions, and I suppose they really were awake, but sometimes it’s hard to tell.

A look at the YouTube comments shows that a lot of Russian people like this film, though.   I find that strange, because it’s not as though there aren’t good Russian war movies against which this one should be compared and found wanting.

I suppose one possibility is that these people are filling in all the action and character development from what they know of the book, and are projecting that on the screen.  (I haven’t read the book, but I trust it’s better than the movie.)   Or maybe some of them have family connections to the Battle of Stalingrad, and that helps them to provide the emotional setting that the movie-makers left out.

Oh, well.   Now that I’ve got this out of the way, I should move on to posting about some excellent movies I’ve seen recently.

Feb 052012
 

A few weeks ago I learned about the Georgiy Daneliya film, “I Walk Through Moscow”.    In some places it’s spoken of as reminiscent of the French New Wave films of its time.   It was interesting enough to re-watch, and it’ll bear further re-watching.

I’d say it’s a very good film except for one thing:  I had already seen “I am Twenty,” a work by Martin Khutsiev.  It also features young people on the streets of Moscow, and it, too, has been described as reminiscent of the French New Wave films.

I am Twenty“I Walk Through Moscow” is very superficial in comparison.  The characters are interesting but shallow in comparison.   And its camera work, while fun to watch, is nothing compared to “I Am Twenty.”

The Khutsiev film was begun in 1959, but not released until 1965 or 1966.   Khrushchev had denounced it, revisions were made, and still it was not released for wide distribution for several years.  In the meantime “I Walk Through Moscow” came out.

It makes me wonder if Danieliya’s film was a politically correct version that was made in response to Khutsiev’s film.   I have tried using Google to find out, but have not been very successful in finding any articles that compare the two.